Monthly Archives: March 2017

You are here:>>>March

March 2017

Successful PEM weekend workshop in Wellington!

By | 2017-03-05T13:30:32+00:00 March 5th, 2017|News|

An electric foundation workshop filled with joy and discovery this weekend in Wellington! One actress said, "I feel a new sense of respect for my body." Anotherย participant: "As a director, working with actors, I've had a concern for them hurting themselves or wearing themselves out. Now I have PEM - it is such a powerful tool." Upcoming workshop opportunities in Auckland 11-12 March and Christchurch 01-02 April -ย www.vocal.zone/pem Don't miss out! PEM's visit to New Zealand is in cooperation with Toi Whakaari: New Zealand Drama School and the Goethe-Institut.

PEM returns to Actors Centre Australia

By | 2017-03-03T13:28:09+00:00 March 3rd, 2017|News|

The ACA Sydney (patron: Hugh Jackman) invited us to hold another workshop on 22nd March 2017 after the highly appreciative feedback from our last workshop. Here's what our friend and supporter of PEM, Dean Carey, director of the Actors Centre Sydney and his students have to say about PEM : "This unique technique defines a new movement in the acting field of education and technique. The duty of care offered to actors by this system is second to none in the world." Dean Carey โ€œPEM has been the most effective technique I've learned to find truth in my work. I [...]

PEM weekend workshop in Wellington

By | 2017-03-01T13:26:28+00:00 March 1st, 2017|News|

We are looking forward to holding this PEM workshop in Wellington at the weekend of 11&12 March and sharing our knowledge with actors from New Zealand!! Thank you, Jon Hunter, PEM Representative New Zealand, for organising! Jon about PEM: 'PEM is a great leveller. You find yourself tapping into an untaught collective body knowledge that defies the boundaries of personal experience. Depth of expression becomes effortless and boundless; interconnectedness palpable. At once new and revolutionary yet somehow timeless and familiar, PEM truly is a paradigm-shift and could well herald in the next major advance in actor training and performance possibility.' [...]